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CHAPTER
39
7 Configuring Host Audio Software
OVERVIEW
The 4pre provides multi-channel audio input and
output for ASIO- and WDM-compatible audio
applications, including Ableton Live, Avid Pro
Tools, Cockos Reaper, Propellerhead Reason and
Record, Steinberg Cubase and Nuendo, Cakewalk
SONAR, and others.
Additionally, sample-accurate synchronization is
possible with applications that support ASIO 2 or
3’s sample-accurate positioning protocol.
Preparation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Run MOTU Audio Console . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Choosing the MOTU Audio driver. . . . . . . . . . . . . . . . . . . . 40
Reducing latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Working with 4pre inputs and outputs . . . . . . . . . . . . . . 43
Processing live inputs with host plug-ins . . . . . . . . . . . . 44
Working with CueMix FX mixing. . . . . . . . . . . . . . . . . . . . . 44
Synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
PREPARATION
To make sure that everything is ready for your host
audio software, install your host audio software
first (if you havent already done so), and then see
these chapters before proceeding:
chapter 3, “Installing the 4pre Software
(page 17)
chapter 4, “Installing the 4pre Hardware
(page 19).
RUN MOTU AUDIO CONSOLE
Before you run your host audio software, launch
MOTU Audio Console to configure your 4pre
hardware.
MOTU Audio Console provides settings to
configure your audio interface and enable the
desired inputs and outputs. Only enabled inputs
and outputs will be available to your software, so
this is an important step. For complete details see
chapter 5, “MOTU Audio Console (page 31).
Figure 7-1: MOTU Audio Console.
For complete details about the 4pre settings, see
chapter 5, “MOTU Audio Console (page 31). The
following sections provide a brief explanation of
each 4pre setting.
Sample rate
Choose the desired overall sample rate for the 4pre
system and your host audio software. Newly
recorded audio will have this sample rate.
Master Clock Source
This setting is very important because it
determines which audio clock the 4pre will follow.
If you do not have any digital audio connections to
your 4pre (you are using the analog inputs and
outputs only), and you will not be slaving your host
software to external SMPTE time code, choose
Internal.
If you have a S/PDIF digital audio device
connected to the 4pre, see “Connect and sync S/
PDIF devices on page 23.
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