MOTU 8pre Guide de l'utilisateur Page 33

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DIGITAL PERFORMER
33
1 Record-enable a track in Digital Performer.
2 Choose the desired 8pre mic input for the track.
3 Open the Audio Monitor or Meter Bridge
window.
4 As you feed signal to the input, adjust the inputs
corresponding trim knob on the front panel of the
8pre until peaks in the level meter are as high as
possible without clipping (hitting zero dB).
WORKING WITH 8PRE INPUTS AND
OUTPUTS
Once you’ve enabled the MOTU FireWire Audio
driver as explained earlier in “The 8pre settings on
page 31, 8pre audio inputs and outputs will appear
in Digital Performers audio input and output
menus. If you don’t see the optical inputs and/or
outputs, check MOTU Audio Setup to make sure
they are turned on. If you don’t plan to use the
optical input or output, turn it off to conserve
computer bandwidth.
Phones 1-2
If you’ve chosen to treat the 8pre headphones as an
independent output, you’ll see Phones 1-2 in
Digital Performers output menus. Audio tracks
assigned to this output pair will be heard on the
headphone jack only. For further explanation, see
“Phones on page 28.
Mix1 1-2
In Digital Performer’s audio input menus, you’ll see
an 8pre input called Mix1 1-2. This input source
delivers the output of CueMix DSP “MIX1” (the
first mix bus of the four on-board no-latency
monitor mixes in the 8pre) back to your computer.
This input serves, for example, as a convenient way
for you to record the 8pres MIX1 monitor mix
back into Digital Performer (for reference and
archiving purposes). Further, if you are sending
audio from Digital Performer to the same output
pair as MIX1, you can choose to either include or
exclude the audio from the computer in the stream
being sent back to Digital Performer. For details on
how to do this, see “Mix1 Return Includes
Computer” on page 55.
Warning: the Mix1 1-2 input can cause
feedback loops! DO NOT assign this input to a
track that shares the same 8pre output pair as
MIX1.
24-BIT OPERATION
Your 8pre hardware fully supports Digital
Performer’s 24-bit recording capabilities, including
both analog and digital 24-bit recording. If you
would like to record and play back 24-bit audio
les, go to the Setup menu, choose Configure Audio
System> Sample Format, and choose 24-bit
recording as the sample format. This setting is
saved with the Digital Performer project.
MIDI I/O VIA THE 8PRE MIDI PORTS
Once you’ve followed the procedure for enabling
the 8pres MIDI features as explained in “Software
installation for Mac OS X on page 21, the 8pre
MIDI ports will appear as a input source and
output destination in Digital Performers MIDI I/O
menus.
PROCESSING LIVE INPUTS WITH PLUG-INS
If you patch a live input (such as MIDI synthesizer)
through a plug-in effect in Digital Performer, you
might hear a slight delay. There are several ways to
reduce this delay. For details, see chapter 10,
“Reducing Monitoring Latency” (page 45).
SYNCING TO SMPTE TIME CODE
Digital Performer can run under its own transport
control or slave to SMPTE time code via the 8pre.
For details, see “Resolving DP or AudioDesk to
SMPTE time code on page 63.
EXCHANGING PROJECTS WITH AUDIODESK
Digital Performer can exchange projects with
AudioDesk. To open an AudioDesk project in
Digital Performer, open it in same way you would a
!8pre Manual/Mac Page 33 Tuesday, October 12, 2010 5:52 PM
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